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Info
Works
Exhibitions
When warm air encounters a colder object, it condenses into moisture droplets. In the subtropical south, this temperature difference can lead to moisture collecting on glass, walls, and furniture surfaces. Damp Season specifically refers to this period, which is humid and fuzzy. It makes the boundaries between inside and outside space no longer distinct. As the novelist Gabriel Garcia Márquez says in One Hundred Years Of Solitude, “The air was so damp that fish could have come in through the doors and swum out the windows, floating through the atmosphere in the rooms.” Tiny water droplets were on the verge of seeping out from the cracks in bones, then sprouting gills and tails that swayed across the ceiling before swimming out of the windows. Time, space, sound, and individuals were all fused together in a super-saturated vapor. The lines between internal and external, individual, and collective memory blur into obscurity.
Interactive Installation
Installation with stepper motors, light, transducers, wood, acrylic, steel, heater
180X120X120
A fan found on the streets of Brooklyn, discarded due to a missing blade. Its appearance becomes a movement of derived difference. The absence of the blade and the absence of the audience, as if all stable "presence" is shaken by "absence." This is the "death of the fan," a poignant and profound expression of absence conveyed through dance, representing a crisis of meaning. And the absolute void of absence is the encounter with the infinite. Abandoning the static and immutable ontology of presence, the identity of things cannot be separated from the difference brought by absence.
Performence
Wood, Fan and Chairs
180x180x70 (Variable dimensions)
Granny's Lullaby) is a performance art installation created on the occasion of the 15th anniversary of the Wenchuan Earthquake in 2023. The work consists of two parts, an interactive installation and a performance art show, in three chapters. Flickering light bulbs and swaying swings form an uncertain space of memories, solidifying the trauma caused by the earthquake across time and space, where uncontrollable disasters, the collision between the collective and the individual, and the shattering and rebuilding of order, gradually fall asleep in the lullaby of childhood.
Performence & Installation
lamp, Wood and Micro Controller
270x270x270 (Variable dimensions)
Chickadee, their name reputedly comes from the fact that their calls make a distincive"chick-a-dee-dee-dee",though their normal call is actually"fee-bee", and the "chick-a-dee-dee-dee"call is an alarm call. Three blinds simulate the wings and feathers of a chickadee, the bird brings a warning. When one gets used to the sirens it becomes a kind of numbness.
Sculpture & Installation
Blinds, Wood and Arduino
90x90x120
When I returned home for the summer due to COVID-19 isolation policies, I spent 24 days alone in hotels across three different locations. The confined space, scheduled meal deliveries, daily nucleic acid tests, and the view outside my window resembled a static picture, leaving me disconnected from the passage of time. Life's conventional concept of time became distilled into basic necessities.As I moved to each new hotel, walking through the long corridors, time seemed to stretch out once more. The uncontrolled duration of time and the picture-perfect scenery outside left me feeling disoriented. Describing the experience and emotions of those 24 days is challenging; my memory feels like fragmented and unfolded paper, and I can only record these observations.
Sculpture & Installation
Steel, Wood, Brick, Veil, Blinds and Sulfate paper
200x120x90
The work interacts with the viewer by establishing the relationship of "trap-bait-prey". The driftwood that a person desperately wants to catch when falling into the water is used as bait and becomes the object of desire production. The viewer is "caught" after triggering the mechanism, and then the "trap" is restored. The driftwood exists as a quest for the thrill of not being satisfied, attracting the fallen in the river of reality, full of fear and fantasy prey.
Sculpture & Installation
Wood, Steel and Arduino
Variable dimensions
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Video Art
2:09
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Interactive Installation
Vinyl sheeting, Vinyl gloves, Vacuum pump, Wood and Arduino
Surrounded by psychedelic pink and loopholes whether we really exist
Interactive Installation & Video
Mac, Keyboard, MaxMsp and Paper
180x65x80